سنجم وزوجتة يحرثان الأرض وأسفلهما مياه النهر 
الملكة نفرتاري في وضع تعبدي 
ايزيس ونفرتاري 
تقع مصطبة "كاجمني" علي مسافة قريبه من مصطبة "مري روكا" , وهي من أهم مقابر سقاره.
- شخصية كاجمني :-
وكان وزيرا في عهد ثلاثه ملوك متتالين من ملوك الاسرة السادسه , وايضاَ زوج ابنه الملك "تتي" وهي "نبوخت نبتي" , وظهرت في مقصورة كاجمني بحجم صغير جداَ!!!!حصل كاجمني علي العديد من الالقاب منها , قاضي المحكمة العليا , وحاكم الارض حتي حدودها الشماليه والجنوبيه , وغيرهم
- تصميم مصطبه كاجمني :-
هي مربعة الشكل تماما , طول كل ضلع 32م , يقع المدخل في الواجهه الشرقيه ,ومن الغريب في المصطبه وجود حوضين مغلقين في قلب المصطبهالمناظر :-يوجد مناظر تقليديه للحياه اليوميه مثل صاحب المقبرة في احراش الدلتا , والاعتناء بالماشية , ومناظر محاسبه الرعاه والمزارعين ومناظر القرابينويوجد مناظر غير مألوفة مثل :-صور تمساح يبتلع سمكه بدأ برأسها , وكذلك فرس نهر يعض ظهر تمساح , يحاول مهاجمه انثي فرس النهر وهي تضع مولداَ جديداَ
عنخ مع حور:-
الاسم يعني (حياتي في يد حورس)
كان وزير في نفس وقت الوزير"نفر سشم رع" ,وكان مسئولاَ عن الوجه البحري , وحمل الكثير من الالقاب التقليديه للوزير , منها رئيس كتبه الوثائق الملكية , ورئيس جميع أشغال الملك في الارض , وعلي عكس "نفر سشم رع" لم يشغل عنخ مع حور اي وظائف متعلقة بخدمة الملك الشخصية , ولكنه كان مسئولا عن كل أسراره وأوامره ,
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| تخطيط المقبرة |
مصطبه عنخ مع حور:-تعرف باسم مقبرة الطبيب , بالرغم ان صاحبها لا يحمل اي لقب متعلق بالطب , ولكن سجلت مناظر تدليك ومعالجة الايدي والارجل , ومنظر الختان , ومناظر اخري , علي خانتي الباب بين الغرفتين الاولي والسادسه, ولا نعرف القصد من تصوير تلك المناظر في مقصورة عنخ مع حور , علماَ بان منظر الختان لم يظهر في اي مقبرة اخري خلال عصر الدوله القديمة , ولا نعرف هل عنخ مع حور نفسه هو المصور في المنظر او شخص اخر .كما تحتوي المناظر علي تفاصيل جميله , فيما يلي بعض المناظر التي تستدعي الانتباه :-1- منظر من اكبر مناظر لعبور الماشيه للنهر علي السجل الاسفل من الجدار الشرقي للغرفة الاولي , ويتكون القطيع من 34حيوان2- علي سخانتي الباب الواقع بين الغرفتين الاولي والثانيه منظ نادر للسوق , يظهر فيه البائعون وهم يتساومون3- علي الجدار الجنوبي للغرفة الثانيه ورشه عمل تفصيليه , ركز فيها علي اعمال وصناعة الحلي والتماثيل4- سجل علي الجدار الغربي للغرفة الثانيه منظر صيد الطيور بالشبكة ,5- علي الجدار الشرقي للغرفة الرابعة , احد اكثر مناظر دبح الحيوانات تفصيلا خلال عصر الدولة القديمة , وقد صورت فيه جميع مراحل الذبح , وحتي استخراج الاحشاء6- علي الجدار الجنوبي للغرفة السادسه تفصيليا منظر فريد للجنازة , وفيه يظهر اهل المتوفي , والمعزون في حاله حزن شديد , يلطمون وجوهم ورءوسهم , وامراة تشق جلبابها في يأس7- رسم علي الجدار الشمالي لغرفة الدفن منظر فريد لمائده القرابين , ومن امامها مقعد خالي . تمهيدا لاستخدامه مستقبلاَ بواسطة عنخ مع حور .
Edfu : Description
Edfu : History The town is known for the major Ptolemaic temple, built between 237 BCE to 57 BCE, into the reign of Cleopatra VII. Of all the temple remains in Egypt, the Temple of Horus at Edfu is the most completely preserved. Built from sandstone blocks, the huge Ptolemaic temple was constructed over the site of a smaller New Kingdom temple, oriented east to west, facing towards the river. The later structure faces north to south and leaves the ruined remains of the older temple pylon to be seen on the east side of the first court.
Ancient Tell Edfu
The remains of the ancient settlement of Edfu are situated about 50m to the west of the Ptolemaic temple - To the left of the older temple Pylon. This settlement is known as Wetjeset-hor and the Latin name was Apollinopolis Magna. According to Notitia Dignitatum, part of Legio II Traiana Fortis was camped in Apollo superior, which was the Roman name for the town.
Although unassuming and unglamorous to the visiting tourists, Tell Edfu is a monument that contains evidence of more Egyptian history and is of more archaeological interest than the Ptolemaic temple. Although major parts of the settlement show severe signs of erosion, cut away or have been exposed during sebakh-digging, enough is preserved to gain information from as far back as the Predynastic Period. The remains of the settlement (tell) provides an insight into the development of Edfu as a provincial town from the end of the Old Kingdom until the Byzantine period. The settlement at Edfu was the capital of the Second Upper Egypt nome, and played an important role within the region. The oldest part of the town which can be dated to the late Old Kingdom lies on the eastern part of the tell, not far from the Ptolemaic temple. There is evidence that the town flourished during the First Intermediate Period when it expanded extensively to the west. Interestingly, it is one of few settlements in southern Egypt that thrived when it seems that the north, especially around the delta, was in economic decline.
Today, the Tell Edfu monument is preserved in some areas up to 20m high and contains complete archaeological sequences of occupation dating to the Old Kingdom until the Graeco-Roman period, more than 3000 years of history, therefore providing ideal conditions to study the development of a provincial town. A central part of the site was explored by Henri Henne from the Institute for Egyptology in Lille in 1921 and 1922. His team identified the remains of a small sanctuary from the Late or Ptolemaic period, possibly the Osiris chapel built by Psamtek I. Henne was followed by Octave Guéraud in 1928 then y Maurice Alliot in 1931 who each explored and excavated different aspects of the settlement remains. The top layers of the settlement containing the Byzantine, Roman and Ptolemaic remains and the Old and Middle Kingdom cemetery at the southern western corner were recorded by a Franco-Polish mission in the late 1930s, directed by Kazimierz Michałowski and B. Bruyère and Bernard Mathieu. Three elaborate reports on the archaeology of Tell Edfu were only partially published by the Franco-Polish mission. In 1954, a second Polish mission headed by Maria Ludwika Bernhard also explored the settlement. Unfortunately, since the mid 1950s no new detailed discoveries or thorough research has been completed at the tell except for recent work done by Barry Kemp, from the University of Cambridge, and by PhD students.
No larger remains dating earlier than the 5th Dynasty have been found at Edfu. The ancient cemetery comprised of mastabas of the Old Kingdom as well as later tombs. Before the beginning of the New Kingdom, the necropolis was transferred to Hager Edfu, to the west and then in the Late period to the south at Nag' el-Hassaya. The entire area was called Behedet. The god Horus was herein worshipped as Horus Behedet.
One of these mastabas belonged to Isi, a local administrator, who, it was quoted was the "great chief of the Nome of Edfu" in the Sixth Dynasty. Isi lived during the reign of King Djedkare Isesi of the Fifth and into the reign of Pepi I of the Sixth Dynasties. He was an administrator, judge, chief of the royal archives and a "Great One among the Tens of the South". Isi later became a living god and was so worshipped during the Middle Kingdom. As the Sixth Dynasty and the Old Kingdom drew to a close, local regional governors and administrative nobles took on a larger power in their areas, away from the royal central authority.
Edfu pyramid ruins
The remains of one of seven small provincial step pyramids built along the Nile Valley, is situated about 5km north of Edfu near the west bank village of Naga el-Goneima. The structure was built from rough reddish sandstone and rises to a present height of 5.5m. The pyramid has been loosely attributed to King Huni of Dynasty III. The purpose of these pyramids is unknown
Apollonopolis Magna
Apollonopolis Magna assigns Apollinopolis to the Hermonthite nome, but it was more commonly regarded as the capital town of the nome Apollopolites. Under the Roman emperors it was the seat of a bishop's see, and the head-quarters of the Legio II Trajana. Its inhabitants were enemies of the crocodile and its worshippers.
The ancient city derived its principal reputation from two temples, which are considered second only to the Temple of Dendera as specimens of the sacred structures of Egypt. The larger temple is in good preservation, and is being excavated. The smaller temple, sometimes, but improperly, called a Typhonium, is apparently an appendage of the latter, and its sculptures represent the birth and education of the youthful deity, Horus, whose parents Noum, or Kneph and Athor, were worshipped in the larger edifice. The principal temple is dedicated to Noum, whose symbol is the disc of the sun, supported by two asps and the extended wings of a vulture. Its sculptures represent (Rosellini, Monum. del Culto, p. 240, tav. xxxviii.) the progress of the Sun, Phre-Hor-Hat, Lord of Heaven, moving in his bark (Bari) through the circle of the Hours. The local name of the district round Apollinopolis was Hat, and Noum was styled Hor-hat-kah, or Horus, the tutelary genius of the land of Hat. This deity forms also at Apollinopolis a triad with the goddess Athor and Hor-Senet. The members of the triad are youthful gods, pointing their finger towards their mouths, and before the decipherment of the hieroglyphics were regarded as figures of Harpocrates.
The entrance into the larger temple of Apollinopolis is a gateway 50 feet high, flanked by two converging wings in the form of truncated pyramids, rising to 107 feet. The wings contain ten stories, are pierced by round loop-holes for the admission of light, and probably served as chambers or dormitories for the priests and servitors of the temple. From the jambs of the door project two blocks of stone, which were intended, as Ddnon supposes, to support the heads of two colossal figures. This propylaeon leads into a large square, surrounded by a colonnade roofed with squared granite, and on the opposite side is a pronaos or portico, 53 feet in height, and having a triple row of columns, six in each row, with variously and gracefully foliaged capitals. The temple is 145 feet wide, and 424 feet long from the entrance to the opposite end. Every part of the walls is covered with hieroglyphics, and the main court ascends gradually to the pronaos by broad steps. The whole area of the building was surrounded by a wall 20 feet high, of great thickness. Like so many of the Egyptian temples, that of Apollinopolis was capable of being employed as a fortress. It stood about a third of a mile from the river. The sculptures, although carefully and indeed beautifully executed, are of the Ptolemaic era, the earliest portion of the temple having been erected by Ptolemy VI Philometor in 181 BC.
